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Harmony and Voice Leading/1 Volume Edition

ISBN: 9780155315198 | 0155315196
Edition: 2nd
Format: Paperback
Publisher: Schirmer
Pub. Date: 12/8/1988

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SummaryTable of Contents
A comprehensive volume spanning the entire theory course, HARMONY AND VOICE LEADING begins with coverage of basic concepts of theory and harmony, and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The first three Units of the book are designed to be taught sequentially, but instructors have the flexibility to teach the latter units in any combination and order they choose.
Prefacev
PART I THE PRIMARY MATERIALS AND PROCEDURES3(78)
1 Key, Scales, and Modes
3(19)
... MORE
Tonal Relationships; Major Keys
4(10)
Minor Keys; Modes; Tonality
14(6)
Exercises
20(2)
2 Intervals
22(14)
Recognizing and Constructing Intervals
22(3)
The Overtone Series
25(2)
Consonance and Dissonance
27(3)
Intervals in a Key
30(4)
Exercises
34(2)
3 Rhythm and Meter
36(11)
Rhythmic Organization
36(7)
Rhythm and Dissonance Treatment
43(2)
Exercises
45(2)
4 Triads and Seventh Chords
47(16)
Triads
48(8)
Seventh Chords
56(3)
Texture and Structure
59(2)
Exercises
61(2)
5 Procedures of Four-Part Writing
63(18)
Chord Construction
63(6)
Voice Leading
69(8)
Points for Review
77(1)
Exercises
77(4)
PART II I-V-I AND ITS ELABORATIONS81(150)
6 I,V, and V^7
81(14)
Tonic and Dominant
82(5)
The Dominant Seventh
87(5)
Points for Review
92(1)
Exercises
93(2)
7 I^6, V^6, and VII^6
95(15)
I^6 and V^6
95(6)
VII^6 (Leading-Tone Triad)
101(5)
Points for Review
106(1)
Exercises
106(4)
8 Inversions of V^7
110(13)
V^6(5), V^4(3), and V^4(2)
110(6)
Contrapuntal Expansions of Tonic and Dominant
116(5)
Points for Review
121(1)
Exercises
121(2)
9 Leading to V: IV, II, and II^6
123(17)
Intermediate Harmonies
123(7)
IV and II in Contrapuntal Progressions
130(2)
Expansions of II and IV
132(4)
Rhythmic Implications
136(2)
Points for Review
138(1)
Exercises
138(2)
10 The Cadential^6(4)
140(10)
An Intensification of V
140(8)
Points for Review
148(1)
Exercises
148(2)
11 VI and IV^6
150(12)
Uses of VI
150(5)
Uses of IV^6
155(5)
Points for Review
160(1)
Exercises
160(2)
12 Supertonic and Subdominant Seventh Chords
162(17)
Supertonic Seventh Chords
163(10)
Subdominant Seventh Chords
173(3)
Points for Review
176(1)
Exercises
177(2)
13 Other Uses of IV, IV^6, and VI
179(15)
IV and IV^6
179(6)
VI
185(6)
Points for Review
191(1)
Exercises
192(2)
14 V as a Key Area
194(18)
Tonicization and Modulation
195(13)
Applications to Written Work
208(2)
Points for Review
210(1)
Exercises
210(2)
15 III and VII
212(19)
Uses of III
212(9)
Uses of VII
221(4)
Points for Review
225(1)
Exercises
225(6)
PART III 5/3, 6/3, AND 6/4 TECHNIQUES231(78)
16 5/3-Chord Techniques
231(15)
Progressions by 5ths and 3rds
231(6)
Contrapuntal Chord Functions
237(7)
Points for Review
244(1)
Exercises
244(2)
17 Diatonic Sequences
246(24)
Compositional Functions
247(3)
Sequences with Descending 5ths
250(3)
Sequences with Ascending 5ths
253(3)
Sequences Using the Ascending 5-6 Technique
256(3)
Sequences Falling in 3rds (Descending 5-6)
259(2)
Less Frequent Sequential Patterns
261(2)
Sequences in Minor
263(4)
Points for Review
267(1)
Exercises
268(2)
18 6/3-Chord Techniques
270(14)
6/3 Chords in Parallel Motion
271(5)
Other Uses of 6/3 Chords
276(6)
Points for Review
282(1)
Exercises
282(2)
19 6/4-Chord Techniques
284(25)
Dissonant 6/4 Chords
286(9)
Special Treatment of Cadential 6/4 Chords
295(4)
Consonant 6/4 Chords
299(2)
Some Exceptional Cases
301(2)
Points for Review
303(1)
Exercises
304(5)
PART IV ELEMENTS OF FIGURATION309(46)
20 Melodic Figuration
309(19)
Chordal Skips (Arpeggios)
311(3)
Passing and Neighboring Tones
314(10)
Points for Review
324(1)
Exercises
325(3)
21 Rhythmic Figuration
328(27)
Suspensions
328(17)
Anticipations
345(3)
The Pedal Point
348(2)
Points for Review
350(1)
Exercises
351(4)
PART V DISSONANCE AND CHROMATICISM I355(86)
22 Mixture
355(12)
Combining Modes
355(10)
Points for Review
365(1)
Exercises
366(1)
23 Leading-Tone Seventh Chords
367(12)
The Diminished Seventh Chord
368(7)
The Half-Diminished Seventh Chord
375(2)
Points for Review
377(1)
Exercises
377(2)
24 Remaining Uses of Seventh Chords
379(17)
Seventh Chords in Sequence
380(5)
Expanded Treatment of Seventh Chords
385(5)
Apparent Seventh Chords
390(4)
Points for Review
394(1)
Exercises
394(2)
25 Applied V and VII
396(24)
Applied Chords
397(4)
Chords Applied to V
401(4)
Other Applied Chords
405(5)
Applied Chords in Sequence
410(8)
Points for Review
418(1)
Exercises
418(2)
26 Diatonic Modulation
420(21)
Modulatory Techniques
420(7)
Modulation, Large-Scale Motion, and Form
427(8)
Points for Review
435(1)
Exercises
436(5)
PART VI DISSONANCE AND CHROMATICISM II441(138)
27 Seventh Chords with Added Dissonance
441(15)
Ninths
441(8)
"Elevenths" and "Thirteenths"
449(5)
Points for Review
454(1)
Exercises
454(2)
28 The Phrygian II (Neapolitan)
456(21)
A Chord Leading to V
456(12)
Other Uses of bII
468(2)
Chromatic Notation
470(4)
Points for Review
474(1)
Exercises
474(3)
29 Augmented Sixth Chords
477(26)
A Chromatic Preparation for V
478(5)
Approaching Augmented Sixth Chords
483(10)
"Inversions" of Augmented Sixth Chords
493(2)
Motion to Goals Other Than V
495(2)
German Sixth and Dominant Seventh
497(3)
Points for Review
500(1)
Exercises
500(3)
30 Other Chromatic Chords
503(20)
Advanced Uses of Mixture
504(6)
Augmented Triads
510(4)
Altered Dominant Seventh Chords
514(2)
Common-Tone Diminished Seventh Chords
516(3)
Other Chromatic Embellishing Chords
519(2)
Points for Review
521(1)
Exercises
521(2)
31 Chromatic Voice-Leading Techniques
523(32)
Chromaticism Based on Parallel Motion
524(11)
Chromaticism Based on Contrary Motion
535(7)
Equal Subdivisions of the Octave
542(9)
Points for Review
551(1)
Exercises
552(3)
32 Chromaticism in Larger Contexts
555(24)
New Modulatory Techniques
555(9)
Chromatic Tonal Areas
564(11)
Points for Review
575(1)
Exercises
575(4)
Appendix: Keyboard Progressions579(22)
Index of Musical Examples601(6)
Subject Index607

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