Part I: The Primary Materials and Procedures. 1. Key, Scales, and Modes. 2. Intervals. 3. Rhythm and Meter. 4. Triads and Seventh Chords. 5. Procedures of Four-Part Writing. Part II: I-V-I and Its Elaborations. 6. I, V, and V7. 7. I6, V6, VII6. 8. Inversions of V7. 9. Leading to V, IV,II, and II7. 10. The Cadential 6/4. 11. VI and IV6. 12. Supertonic and Subdominant Seventh Chords. 13. Other Uses of IV, IV6, and VI. 14. V as a Key Area. 15. III and VII. Part III: 5/3, 6/3, and 6/4 Techniques. 16. 5/3-Chord Techniques. 17. Diatonic Sequences. 18. 6/3-Chord Techniques. 19. 6/4-Chord Techniques. Part IV: Elements of Figuration. 20. Melodic Figuration. 21. Rhythmic Figuration. Part V: Dissonance and Chromaticism I. 22. Leading-Tone Seventh Chords. 23. Mixture. 24. Remaining Uses of Seventh Chords. 25. Applied V and VII. 26. Diatonic Modulation. Part VI: Dissonance and Chromaticism II. 27. Seventh Chords with Added Dissonance. 28. The Phrygian II (Neapolitan). 29. Augmented Sixth Chords. 30. Other Chromatic Chords. 31. Chromatic Voice-Leading Techniques. 32. Chromaticism in Larger Contexts. Appendix I: Keyboard Progressions. Appendix II: Score Reduction. Index of Musical Examples. Subject Index.