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| Sources and Acknowledgments | p. v |
| Introduction | p. 1 |
| Poems | |
| Dreams (1827, 1828) | p. 49 |
| Spirits of the Dead (1827, 1839) | p. 50 |
| Evening Star (1827) | p. 51 |
| A Dream Within a Dream (1827-1849) | p. 52 |
| Stanzas: "In Youth Have I Known" (1827) | p. 52 |
| A Dream (1827) | p. 54 |
| "The Happiest Day-The Happiest Hour" (1827) | p... MORE |
| The Lake-To- (1827, 1845) | p. 55 |
| Sonnet-To Science (1829, 1845) | p. 56 |
| To-: "The Bowers Whereat, In Dreams I See" (1829, 1845) | p. 56 |
| Fairy-Land (1829, 1845) | p. 57 |
| Introduction (1829-1831) | p. 58 |
| Alone (1829) | p. 60 |
| To Helen (1831, 1845) | p. 61 |
| Israfel (1831-1845) | p. 62 |
| The City in the Sea (1831-1845) | p. 63 |
| The Sleeper (1831, 1849) | p. 65 |
| The Valley of Unrest (1831-1845) | p. 67 |
| Lenore (1831-1843) | p. 68 |
| To One in Paradise (1833-1849) | p. 148 |
| The Coliseum (1833, 1850) | p. 69 |
| The Haunted Palace (1838-1848) | p. 226 |
| Sonnet-Silence (1839-1845) | p. 71 |
| The Conqueror Worm (1842-1849) | p. 182 |
| Dream-Land (1844-1849) | p. 71 |
| The Raven (1845-1849) | p. 73 |
| Ulalume-A Ballad (1847-1849) | p. 78 |
| The Bells (1849) | p. 81 |
| Eldorado (1849) | p. 84 |
| For Annie (1849) | p. 85 |
| Annabel Lee (1849) | p. 88 |
| Tales | |
| Metzengerstein. A Tale in Imitation of the German (1832, 1836) | p. 93 |
| Loss of Breath. A Tale A La Blackwood (1832, 1835) | p. 104 |
| MS. Found in a Bottle (1833, 1845) | p. 125 |
| The Assignation [The Visionary] (1834, 1845) | p. 138 |
| Berenice (1835, 1845) | p. 152 |
| Some Passages from the Life of a Lion [Lionizing] (1832, 1845) | p. 162 |
| Shadow-A Parable (1835, 1845) | p. 168 |
| Silence-A Fable (1837, 1845) | p. 171 |
| Ligeia (1838, 1845) | p. 175 |
| How to Write a Blackwood Article. A Predicament (1838, 1845) | p. 193 |
| The Fall of the House of Usher (1839, 1845) | p. 216 |
| William Wilson (1839, 1845) | p. 238 |
| The Man of the Crowd (1840, 1845) | p. 262 |
| The Murders in the Rue Morgue (1841, 1845) | p. 272 |
| A Descent Into the Maelstrom (1841, 1845) | p. 313 |
| The Colloquy of Monos and Una (1841, 1845) | p. 333 |
| Never Bet the Devil Your Head. A Tale with a Moral (1841, 1845) | p. 344 |
| The Oval Portrait (1842, 1845) | p. 355 |
| The Masque of the Red Death (1842, 1845) | p. 359 |
| The Pit and the Pendulum (1842, 1845) | p. 366 |
| The Tell-Tale Heart (1843, 1845) | p. 384 |
| The Black Cat (1843, 1845) | p. 390 |
| A Tale of the Ragged Mountains (1844, 1845) | p. 401 |
| The Premature Burial (1844, 1845) | p. 413 |
| The Purloined Letter (1844, 1845) | p. 430 |
| Some Words with a Mummy (1845) | p. 452 |
| The Imp of the Perverse (1845, 1846) | p. 472 |
| The Facts in the Case of M. Valdemar (1845) | p. 479 |
| The Sphinx (1846) | p. 490 |
| The Cask of Amontillado (1846) | p. 496 |
| Hop-Frog: or, The Eight Chained Ourang-Outangs (1849) | p. 504 |
| Criticism | |
| Review of "Twice-Told Tales. By Nathaniel Hawthorne" (1842) | p. 519 |
| The Philosophy of Composition (1846) | p. 528 |
| Excerpts from The Poetic Principle (1848-1850) | p. 542 |
| Bibliography | p. 553 |
| Chronology | p. 559 |
| Table of Contents provided by Ingram. All Rights Reserved. |