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| Foreword | p. XIV |
| Preface | p. XVII |
| Acknowledgments | p. XVII |
| Introduction | |
| Objectives | p. 2 |
| Defining graphic design | p. 2 |
| The graphic designer's job | p. 4 |
| The design procedure | p. 8 |
| Critique guide | p. 9 |
| Looking at the illustrations | p. 13 |
| Fundamentals of Graphic Design | |
| ... MORE | p. 14 |
| Formal Elements | p. 14 |
| Line | p. 14 |
| Shape | p. 16 |
| Color | p. 17 |
| Suggestions | p. 18 |
| Value | p. 19 |
| Texture | p. 20 |
| Format | p. 22 |
| The Principles of Design | p. 22 |
| Balance | p. 22 |
| Emphasis: focal point and hierarchy | p. 24 |
| Rhythm | p. 27 |
| Unity | p. 27 |
| The Manipulation of Graphic Space | p. 30 |
| Positive and negative space | p. 30 |
| Illusion | p. 32 |
| Exploring lines | p. 36 |
| Creating illusion with lines--a warp | p. 36 |
| Designing shapes | p. 36 |
| Shape | p. 36 |
| Use of color in graphic design | p. 37 |
| Hue analysis | p. 37 |
| Low contrast and high contrast | p. 37 |
| Value scale | p. 38 |
| Rubbings and blottings | p. 38 |
| Creating visual textures | p. 38 |
| Rectangular formats | p. 39 |
| Designing in different shape formats | p. 39 |
| Creating a balanced design | p. 39 |
| Destroying symmetry and retaining balance | p. 39 |
| Creating a focal point | p. 40 |
| Creating a visual hierarchy | p. 40 |
| Creating rhythm | p. 40 |
| Rhythm | p. 41 |
| Using alignment to achieve unity | p. 41 |
| Achieving unity | p. 41 |
| Positive and negative space | p. 42 |
| Letterforms as positive and negative spaces | p. 42 |
| The picture plane | p. 43 |
| The illusion of spatial depth | p. 43 |
| Overview of Graphic Design | |
| Objectives | p. 44 |
| Four components of graphic design solutions | p. 44 |
| Strategy | p. 44 |
| Concept | p. 48 |
| Suggestions | p. 49 |
| Design | p. 50 |
| The graphic elements | p. 50 |
| Suggestions | p. 51 |
| Craft | p. 54 |
| Suggestions | p. 54 |
| Critique guide revisited | p. 55 |
| The design profession | p. 55 |
| Designing With Type | |
| Objectives | p. 58 |
| Message, audience, and format | p. 58 |
| Letterforms | p. 59 |
| Nomenclature | p. 60 |
| Typographic measurement | p. 64 |
| Basic type specifications | p. 65 |
| Classifications of type | p. 65 |
| Suggestions | p. 66 |
| Type and visuals | p. 68 |
| The principles of design and type | p. 70 |
| Type and expression | p. 81 |
| Designing with type | p. 84 |
| Tips from designers | p. 90 |
| Design your name | p. 92 |
| Design a poster entitled "Taking a Stand" | p. 92 |
| Expressive typography | p. 93 |
| All type | p. 93 |
| Layout | |
| Objectives | p. 96 |
| Layout | p. 96 |
| The grid | p. 104 |
| Designing with a simple grid | p. 114 |
| Design a magazine spread | p. 114 |
| Logos, Symbols, Pictograms, and Stationery Systems | |
| Objectives | p. 116 |
| Logos | p. 116 |
| Suggestions | p. 118 |
| Symbols | p. 122 |
| Suggestions | p. 122 |
| Pictograms | p. 126 |
| Suggestions | p. 127 |
| Stationery | p. 130 |
| Suggestions | p. 133 |
| Examples of logos | p. 137 |
| Logo design | p. 137 |
| Building an image making vocabulary--xerography | p. 138 |
| Symbols | p. 138 |
| Symbol design | p. 139 |
| Building an image making vocabulary--printmaking | p. 139 |
| Building an image making vocabulary--painting | p. 139 |
| Pictogram design | p. 140 |
| Designing pictograms for an airport | p. 140 |
| Stationery design (for fun) | p. 141 |
| Your own stationery design | p. 141 |
| Posters | |
| Objectives | p. 142 |
| Posters | p. 142 |
| Suggestions | p. 148 |
| Poster design variations | p. 168 |
| Poster design for a play | p. 168 |
| Poster series | p. 169 |
| Book Jackets and CD Covers | |
| Objectives | p. 170 |
| CD covers | p. 173 |
| Suggestions | p. 174 |
| Book jackets | p. 176 |
| Analyzing book jackets and CD covers | p. 184 |
| CD and cassette cover design | p. 184 |
| Book jacket design series | p. 185 |
| Packaging and Shopping Bags | |
| Objectives | p. 186 |
| Packaging | p. 186 |
| Suggestions | p. 197 |
| Shopping bags | p. 198 |
| Suggestions | p. 200 |
| Redesign a package | p. 201 |
| Create a package design for a gourmet snack food | p. 201 |
| Design a packaging system for a computer mail-order company based on the world wide web | p. 202 |
| Analyzing shopping bag design | p. 203 |
| Design a shopping bag and box for a food store or company | p. 203 |
| Visual Identity and Branding | |
| Objectives | p. 204 |
| Visual identity | p. 204 |
| Suggestions | p. 207 |
| Turn your brand into an icon! | p. 212 |
| Inventing a company name | p. 212 |
| Identifying a system | p. 216 |
| Designing a visual identity system for a pet supply store | p. 216 |
| Advertisements | |
| Objectives | p. 218 |
| The Creative team | p. 221 |
| Types of ads | p. 222 |
| Elements of an ad | p. 225 |
| Four components of an ad | p. 226 |
| The creation of a print ad | p. 228 |
| Advertising concepts: What's the Big Idea? | p. 228 |
| Suggestions | p. 229 |
| Where do big ideas come from? | p. 230 |
| The ad campaign | p. 231 |
| Advertising stratagems | p. 233 |
| Television commercials | p. 235 |
| Critique guide | p. 236 |
| Expression | p. 238 |
| Creative approaches | p. 244 |
| Stimulation | p. 252 |
| Copy exercises | p. 252 |
| Creative writing exercise --an autobiography | p. 252 |
| Creative writing exercise --a "how-to" essay | p. 252 |
| A humorous story | p. 253 |
| Design exercises | p. 253 |
| A redo | p. 253 |
| Recognizing differences | p. 253 |
| Concept exercises | p. 253 |
| Analyzing ads | p. 253 |
| Product research | p. 253 |
| The creative team | p. 253 |
| The search for a creative visual | p. 254 |
| Get wild | p. 255 |
| The unique selling point (USP) | p. 256 |
| Varying the layout | p. 256 |
| An ad campaign | p. 256 |
| Creating a storyboard for a television commercial | p. 257 |
| Annual Reports | |
| Objectives | p. 258 |
| Themes | p. 258 |
| Design principles | p. 258 |
| Becoming familiar with annual reports | p. 263 |
| Annual report | p. 263 |
| Web Design | |
| Objectives | p. 264 |
| Major elements | p. 264 |
| Design considerations | p. 265 |
| Approach to Promotional sites | p. 266 |
| Becoming familiar with web sites | p. 271 |
| Web site | p. 271 |
| The Portfolio and Job Search | |
| Objectives | p. 272 |
| Advertising portfolio | p. 273 |
| Advice from three graphic design professors | p. 274 |
| Self-promotionals | p. 276 |
| Suggestions | p. 276 |
| Project: HangTag Designs | p. 277 |
| Project: Book Jacket Series | p. 277 |
| Project: Logo | p. 277 |
| Project: Snowboards or Skateboards | p. 277 |
| Project: Brochure | p. 278 |
| Contents of a generalized graphic design portfolio | p. 278 |
| The career search process | p. 282 |
| Preparing for the interview | p. 284 |
| The interview | p. 285 |
| Graphic Design Materials, Tools, and Processes | |
| Objectives | p. 286 |
| Tools and equipment | p. 286 |
| Papers | p. 288 |
| Drawing tools | p. 289 |
| Adhesives | p. 290 |
| Processes | p. 291 |
| Production | p. 291 |
| Glossary | p. 292 |
| Bibliography | p. 300 |
| Endnotes | p. 305 |
| Index | p. 306 |
| Table of Contents provided by Syndetics. All Rights Reserved. |