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| List of contributors | p. ix |
| Opening the lens: cultural criminology and the image | p. 1 |
| Crime, punishment and the force of photographic spectacle | p. 17 |
| The decisive moment: documentary photography and cultural criminology | p. 36 |
| Hindley's ghost: the visual construction of Maxine Carr | p. 53 |
| Screening crime: cultural criminology goes to the movies | p. 68 |
| The scene of the crime: is there su... MORE | p. 83 |
| Imagining the 'war on terror': fiction, film, and framing | p. 98 |
| Framing the crimes of colonialism: critical images of aboriginal art and law | p. 115 |
| 'Drive it like you stole it': a cultural criminology, of car commercials | p. 138 |
| Staging an execution: the media at McVeigh | p. 156 |
| Fighting with images: the production and consumption of violence among online football supporters | p. 172 |
| A reflected gaze of humanity: cultural criminology and images of genocide | p. 189 |
| Index | p. 208 |
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