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| Preface | p. xi |
| Use of the Computer | p. xviii |
| Computer-Assisted Instruction: Contents and Log | p. xxiv |
| Introduction | p. xxxiv |
| Sound | p. 1 |
| Pitch and Timbre; The Overtone Series | p. 1 |
| Dynamics | p. 3 |
| Computer Exercises | p. 5 |
| Computer Exercise | p. 6 |
| The Envelope; Articulations | p. 6 |
| Music for Study | ... MOREp. 8 |
| Computer Exercise | p. 11 |
| Exploring Sound at the Computer | p. 11 |
| The Notational System | p. 12 |
| Music in Western Culture | p. 12 |
| Written Music | p. 13 |
| Music-A temporal Art | p. 13 |
| Notes and Rests | p. 14 |
| Computer Exercise | p. 17 |
| Written Exercises | p. 17 |
| Letter-Names for Pitches | p. 20 |
| Computer Exercise | p. 24 |
| Registers of the Piano | p. 24 |
| Computer Exercise | p. 25 |
| Written Exercises | p. 25 |
| Notation at the Computer | p. 26 |
| Simple Meter | p. 28 |
| Suggested Listening | p. 28 |
| The Beat | p. 28 |
| The Organization of Music into Meters | p. 29 |
| Computer Exercise | p. 31 |
| Written Exercises | p. 32 |
| Rhythm in Performance | p. 33 |
| Computer Exercise | p. 34 |
| Counting Time in Simple Meters | p. 34 |
| Computer Exercise | p. 36 |
| Music for Study | p. 36 |
| Music for Study: Counting with Rests | p. 40 |
| The Use of Beams | p. 42 |
| Written Exercises | p. 43 |
| Computer Exercise | p. 46 |
| Creating Rhythms at the Computer | p. 46 |
| Composing Rhythmic Phrases | p. 46 |
| Scales | p. 48 |
| Half Steps and Whole Steps | p. 48 |
| Computer Exercise | p. 49 |
| Computer Exercise | p. 53 |
| Computer Exercise | p. 55 |
| Written Exercises | p. 55 |
| The Major Scale | p. 56 |
| Computer Exercise | p. 59 |
| Written Exercises | p. 60 |
| Key Signatures for Major Keys | p. 63 |
| Computer Exercise | p. 68 |
| Written Exercises | p. 69 |
| Intervals in the Major Scale | p. 71 |
| Names of the Scale Degrees | p. 73 |
| Music for Study | p. 74 |
| Creative Exercise | p. 78 |
| Compound Meter | p. 79 |
| Suggested Listening | p. 79 |
| Computer Exercise | p. 83 |
| Written Exercises | p. 83 |
| Music for Study: Counting Compound Meter | p. 84 |
| Classification of Meters | p. 88 |
| Written Exercises | p. 90 |
| More on the Use of Beams | p. 94 |
| Written Exercises | p. 95 |
| Written Exercises | p. 97 |
| Establishing Meter Through Accents and Patterns | p. 98 |
| Music for Study | p. 98 |
| Exploring Rhythm and Meter at the Computer | p. 104 |
| Written Exercises | p. 107 |
| Computer Exercise | p. 113 |
| Creating Rhythms at the Computer | p. 113 |
| The Minor Mode | p. 114 |
| Suggested Listening | p. 114 |
| Use of Accidentals in the Minor Mode | p. 117 |
| Computer Exercise | p. 118 |
| Written Exercises | p. 118 |
| Intervals in the Minor Mode | p. 121 |
| Relative and Parallel Minors | p. 121 |
| Computer Exercise | p. 123 |
| Written Exercises | p. 124 |
| Music for Study | p. 127 |
| Modulation | p. 131 |
| The Chromatic Scale | p. 132 |
| Written Exercises | p. 133 |
| Music for Study | p. 134 |
| Creative Exercises | p. 137 |
| Other Scales | p. 138 |
| Modes | p. 138 |
| Suggested Listening | p. 142 |
| Pentatonic Scale | p. 144 |
| Computer Exercise | p. 146 |
| Exploring Other Scales at the Computer | p. 146 |
| Creative Exercises | p. 146 |
| More on Rhythm and Meter | p. 147 |
| Syncopation | p. 147 |
| Exploring Syncopation at the Computer | p. 148 |
| Computer Exercise | p. 155 |
| Rhythm in Jazz and Popular Music | p. 155 |
| Music for Study | p. 156 |
| Composing Rhythmic Phrases | p. 159 |
| Intervals | p. 161 |
| Seconds | p. 162 |
| Exercises | p. 162 |
| Thirds | p. 163 |
| Computer Exercise | p. 163 |
| Written Exercises | p. 164 |
| The Perfect Intervals | p. 164 |
| Written Exercises | p. 166 |
| Sixths and Sevenths | p. 167 |
| Inversion of Intervals | p. 167 |
| Computer Exercise | p. 169 |
| Written Exercises | p. 169 |
| Compound Intervals | p. 170 |
| Computer Exercise | p. 171 |
| Alteration of Intervals | p. 171 |
| Other Properties of Intervals | p. 172 |
| Computer Exercise | p. 174 |
| Written Exercises | p. 174 |
| Music for Study | p. 175 |
| Creative Exercise | p. 180 |
| Chords and Harmony | p. 181 |
| Triads | p. 182 |
| Computer Exercise | p. 183 |
| Written Exercises | p. 183 |
| The Dominant Seventh Chord | p. 185 |
| Computer Exercise | p. 185 |
| Written Exercises | p. 186 |
| Music for Study | p. 186 |
| Texture and Inversions | p. 187 |
| Written Exercises | p. 190 |
| Computer Exercise | p. 191 |
| Written Exercises | p. 191 |
| The Primary Triads | p. 193 |
| Nonchord Tones | p. 194 |
| Exercise | p. 197 |
| Simple forms | p. 201 |
| Phrases and Cadences | p. 201 |
| Music for Study | p. 205 |
| Phrase Relationships | p. 206 |
| Song Forms | p. 206 |
| Examples for the Study of Form | p. 207 |
| Form in Popular Music | p. 212 |
| Harmonizing Melodies | p. 214 |
| Creative Exercises | p. 216 |
| Melodic Composition at the Computer | p. 217 |
| Looking at Music | p. 218 |
| What to Look for in a Score | p. 218 |
| Computer Exercise | p. 220 |
| Exercises for Practice in Reading Music | p. 221 |
| Topics for Enrichment and Further Study | p. 240 |
| World Music and Roots Music | p. 241 |
| Synthetic Scales | p. 249 |
| Computer Exercise | p. 255 |
| Exploring Other Scales at the Computer | p. 255 |
| Other Chords: Seventh Chords | p. 255 |
| Computer Exercise | p. 256 |
| Other Chords: Borrowed Chords | p. 256 |
| Exercises | p. 258 |
| Other Chords: Sixth Chords | p. 259 |
| Written Exercises | p. 261 |
| Looking at Music | p. 263 |
| Creative Exercises | p. 265 |
| Standard Chord Progressions | p. 270 |
| Roman Numeral Chord Designations | p. 273 |
| Glossary | p. 275 |
| Indexes | p. 279 |
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