Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating--and so repellent--to artists and writers over the years?

Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history--the moving of Michelangelo's David, and the construction of temporary bridges by black American soldiers in the wake of the Second World War--are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View, The Portrait of a Lady and Tea with Mussolini.

David Leavitt's books include the collection Family Dancing, and the novels The Lost Language of Cranes, While England Sleeps, The Body of Jonah Boyd, and The Indian Clerk (finalist for the PEN/Faulkner Award and the IMPAC Dublin Literary Award). He is also the author of a biography of Alan Turing, The Man Who Knew Too Much. He is professor of English at the University of Florida in Gainesville and edits the literary magazine Subtropics.
www.davidleavittwriter.com