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Ear Training: A Technique for Listening w/ Audio CD

by: Benward, Bruce; Kolosick, J. Timothy

ISBN: 9780072287707 | 0072287705

Format: Paperback
Publisher: MCG (Manual)
Pub. Date: 8/23/1999

Newer Edition Available

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Summary Table of Contents

Intended for classroom instruction and combining a proven technique with an effective and easy-to-use supplements package, Ear Training: A Technique for Listening is the ideal text for college aural skills courses.Students find that the logical progression of skills enables them to build gradually to full proficiency while ensuring that material they learn early in the course remains fresh. Instructors appreciate the flexibility of the EarTraining package which allows the text to be used in a lab-based course, in a instructor-guided setting, or in a course that combines the two. The structure of the text also allows students to proceed at their own pace through the material - lingering on sections that prove difficult or advancing through sections that come easily.

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Ear Training: A Technique for Listening w/ Audio CD

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Preface

Unit 1

Melody 1A Melodic Dictation: Scalewise (Conjunct Diatonic) Melodies

Melody 1B Mode Identification: Major and Harmonic Minor Scales

Melody 1C Scale Degree Identification: Single Notes

Melody 1D Intervals: m2, M2, m3, M3

Melody 1E Models and Embellishments: Short Melodic Structures

Harmony 1A Chord Function Identification: I and V Triads

Harmony 1B Chords in Music Literature: I and V Triads

Harmony 1C Harmonic Rhythm

Harmony 1E Chord Quality Identification: Major and Minor Triads

Harmony 1F Triad Factors in the Soprano

Rhythm 1A Rhythmic Dictation: Rhythm Including Half- Beat Values

Unit 2

Melody 2A Melodic Dictation: Melodies Using m2, M2, m3, M3

Melody 2B Mode Identification: Major and Three Forms of the Minor Scale

Melody 2C Scale Degree Identification: Two Notes

Melody 2D New Intervals: P5 and P4

Melody 2E Models and Embellishments: Descending Thirds in Two Voices

Harmony 2A Chord Function Identification: I, IV, and V Triads

Harmony 2B Chords in Music Literature: I, IV, and V Triads

Harmony 2C Nonharmonic Tones: Introduction

Harmony 2D Triad Position Identification: Major and Minor Triads

Harmony 2E Chord Quality Identification: Major, Minor and Diminished Triads

Harmony 2F Triad Factors in the Soprano and Bass

Rhythm 2A Rhythmic Dictation: Duple and Triple Subdivisions of the Beat

Unit 3

Melody 3A Melodic Dictation: Melodies Using m2, M2, m3, M3, P4, P5

Melody 3B Error Detection: Scalewise Melodies with Errors

Melody 3C Scale Degree Identification: Three Notes

Melody 3D Interval Review: m2, M2, m3, M3, P4, P5

Melody 3E Models and Embellishments: Simple Melodic Structures

Harmony 3A Chord Function Identification: I, ii, and V Triads

Harmony 3B Chords in Music Literature: I, ii, and V Triads

Harmony 3C Cadence Identification: Cadence Types

Harmony 3D Harmonic Dictation: I(i), IV(iv), and V Triads in Four-Part Phrases

Harmony 3E Chord Quality Identification: Writing Major, Minor, Diminished, and Augmented Triads

Rhythm 3A Rhythmic Dictation: Rhythmic Figures Including Half-Beat Values

Rhythm 3B Error Detection: Dotted Rhythm Values

Unit 4

Melody 4A Melodic Dictation: Scalewise Melodies and Arpeggiations of I and V

Melody 4B Error Detection: Errors in Melodies Outlining the I, IV, and V Triads

Melody 4C Scale Degree Identification: Three Notes

Melody 4D New Intervals: m6, M6

Melody 4E Models and Embellishments: 5-6 Patterns in Two Voices

Harmony 4A Chord Function Identification: I, ii, IV, and V Triads

Harmony 4B Chords in Music Literature: I, ii, IV, and V Triads

Harmony 4C Nonharmonic Tones: Two-Voice Examples

Harmony 4D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases

Harmony 4E Chord Quality Identification: Major, Minor, Diminished, and Augmented Triads

Rhythm 4A Rhythmic Dictation: Half-Beat Values in Syncopation

Rhythm 4B Error Detection: Half-Beat Values in Syncopation

Unit 5

Melody 5A Melodic Dictation: Melodies Outlining the I, IV, V (and vii06) Triads

Melody 5B Error Detection: Excerpts from Music Literature

Melody 5C Melodic Figure Identification: Sequence and Rhythmic Repetition

Melody 5D New Interval: The Tritone

Melody 5E Models and Embellishments: Descending 6ths in Two Voices

Harmony 5A Chord Function Identification: I(i), ii (ii0), IV(iv), and V Triads and Inversions

Harmony 5B Chords in Music Literature: I(i), ii(ii0), IV(iv) and V Triads

Harmony 5C Harmonic Rhythm and Nonharmonic Tones

Harmony 5D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases

Harmony 5E Error Detection: Single Triads in Four Parts

Rhythm 5A Rhythmic Dictation: Introduction to Quarter- Beat Values

Rhythm 5B Error Detection: Quarter-Beat Values

Unit 6

Melody 6A Melodic Dictation: Intervals of a 7th

Melody 6B Error Detection: Schubert Melodies

Melody 6C Melodic Figure Identification: Sequence, False Sequence, and Rhythmic Repetition

Melody 6D New Intervals: m7 and M7

Melody 6E Models and Embellishments: 7-3 Pattern in Two Voices

Harmony 6A Chord Function Identification: I, ii, IV, V, and vi Triads

Harmony 6B Chords in Music Literature: Emphasis on ii, IV, and vi

Harmony 6C Nonharmonic Tones: Four-Voice Examples

Harmony 6D Harmonic Dictation: The I(i), ii(ii0), IV (iv) and V Triads in Chorale Phrases

Harmony 6E Error Detection: Triads in Fourt Parts