9781602201293

To the Chinese people, jade is a precious stone endowed with magical properties which encapsulated all that mankind aspires to in terms of character, elegance, tranquility, purity and virtue. The Chinese love jade not merely because of its rarity or its luster but because of a deeper aesthetic value. Chinese Jade: The Spiritual and Cultural Significance of Jade in Chinapresents a comprehensive view of jade and its history in China from Neolithic times to the Qing dynasty. It illustrates pieces of jade that are on display not only in the Palace Museum in Beijing but in the many provincial and other museums across China. It will help the reader to understand what jade means to the Chinese in China; how it is classified and described and where it is found and worked and displayed. It has a value beyond that of a simple catalogue and places jade in its natural, and central, cultural context.

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Gu Fang is a renowned scholar on jade. He graduated from the Archaeology Department of Peking University and later, the Graduate School of Chinese Academy of Social Sciences (CASS) in China. He worked as visiting scholar for the Curatorial Department of Asian Art in The Metropolitan Museum of Art of New York, being responsible for the appraisal and research of the jades in the museum. Since 2011, he has been appointed executive director and researcher in Traditional Culture and Social Responsibility Institute of Market Economy Academy of Peking University, focusing on the research, teaching, publication, appraisal and exhibition of Chinese jades.

Li Hongjuan was born in Shaanxi. She graduated from the School of History and Culture in Shandong University, majoring in Archaeology. She is now the associate chief of editorial department of Art Market magazine.

Translator's Foreword	p. 9
Preface	p. 12
Types of Jade	p. 19
Hetian	p. 20
Xiuyan	p. 21
Dushan	p. 23
Lantian	p. 25
The Manufacture and Carving of Jade	p. 27
The Process of Manufacture	p. 27
The Art of Carving Jade	p. 31
Use of Color (qiaose)	p. 31
Fretwork (loukong)	p. 31
Thin Walled (botai)	p. 32
Pressed Thread Inlay (yasi qianbao)	p. 32
Incised Character (kezi)	p. 33
Gold Outline (miaojin)	p. 33
Jade Carving Technique in Suzhou and Yangzhou	p. 34
An Outline of Historical Chinese Jades	p. 37
Neolithic Period	p. 37
Xia, Shang and Western Zhou Periods	p. 49
Spring and Autumn Annals and the Warring States Periods	p. 57
Qin, Han, Wei, Jin and Northern and Southern Dynasties	p. 62
Sui, Tang, Song, Liao, Jin and Yuan Dynasties	p. 68
Ming and Qing Dynasties	p. 76
The Principal Forms, Uses and Subjects of Jade	p. 85
Jade Disc (bi')	p. 85
Jade Squared Tube (cong)	p. 91
Jade Arc-Shaped Pendant (huang)	p. 94
Jade Tablet	p. 98
Jade Ritual Blade (zhang)	p. 101
Jade Halberd-Shaped Blade (ge)	p. 102
Jade Slit Ring (jue)	p. 107
Jade Pendant Sets	p. 109
Desk Furniture for the Scholar's Studio	p. 111
Jades in the Shape of Animals	p. 117
The Human Form in Jade	p. 133
Jades in Ancient Bronze Style	p. 145
Mughal Jade and Jades in Mughal Style	p. 151
Appendices	p. 152
Dates of the Chinese Dynasties	p. 153
Chinese Jade in Museums in China	p. 154
Chinese Jade in Overseas Museums	p. 156
Index	p. 158
Table of Contents provided by Ingram. All Rights Reserved.

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Chinese Jade The Spiritual and Cultural Significance of Jade in China

Chinese Jade The Spiritual and Cultural Significance of Jade in China

1602201293

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