Blood from a Stone
ISBN: 9780143117094 | 0143117092
Edition: ReprintFormat: Paperback
Publisher: Penguin Books
Pub. Date: 2/23/2010
Why Rent from Knetbooks?
Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
Top 5 reasons to order all your textbooks from Knetbooks:
- We have the lowest prices on thousands of popular textbooks
- Free shipping both ways on ALL orders
- Most orders ship within 48 hours
- Need your book longer than expected? Extending your rental is simple
- Our customer support team is always here to help
On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle. Commissario Guido Brunetti's response is that of everybody involved: Why would anyone kill an illegal immigrant? How far will Brunetti be able to penetrate the murky subculture in this illegal community?
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found ‘damaging physically and spiritually’ that Donna decided to move to Venice, where she has now lived for over twenty years.
Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice’s opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought ‘why don’t we kill him?’ and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months.
Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).
