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A History of Western Music

ISBN: 9780393979916 | 0393979911
Edition: 7th
Format: Hardcover
Publisher: NORTON
Pub. Date: 7/1/2005

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SummaryTable of Contents
Claude V. Palisca was professor of music at Yale University. Donald Jay Grout was professor of music at Cornell University. J. Peter Burkholder is professor of music at Indiana University.
Renowned for its comprehensive coverage of genres and styles in Western music from antiquity to the present, A History of Western Music has secured its place--through six editions and for almost half a century--as the definitive resource for every musician. In this latest edition, J. Peter Burkholder has renewed and updated the b... MORE
Editorial Advisory Boardii
Maps
xii
Guide to Recordingsxiii
Preface to the Seventh Editionxxiii
... MOREPART ONE THE ANCIENT AND MEDIEVAL WORLDS
3(144)
Music in Antiquity
4(20)
The Earliest Music
5(1)
Music in Ancient Mesopotamia
6(3)
Timeline
9(1)
Music in Ancient Greek Life and Thought
10(12)
Music in Ancient Rome
22(1)
The Greek Heritage
23(1)
The Christian Church in the First Millennium
24(26)
The Diffusion of Christianity
24(1)
The Judaic Heritage
25(2)
Music in the Early Church
27(2)
Divisions in the Church and Dialects of Chant
29(1)
Timeline
30(4)
The Development of Notation
34(6)
Music in Context: In the Monastic Scriptorium
40(1)
Music Theory and Practice
41(7)
Echoes of History
48(2)
Roman Liturgy and Chant
50(21)
The Roman Liturgy
50(2)
Music in Context: The Experience of the Mass
52(4)
Characteristics of Chant
56(1)
Timeline
56(1)
Genres and Forms of Chant
57(8)
Additions to the Authorized Chants
65(3)
Hildegard of Bingen
68(2)
The Continuing Presence of Chant
70(1)
Song and Dance Music in the Middle Ages
71(16)
European Society, 800--1300
71(3)
Latin and Vernacular Song
74(1)
Timeline
75(1)
Trobadour and Trouvere Song
76(5)
Song in Other Lands
81(2)
Medieval Instruments
83(2)
Dance Music
85(1)
The Lover's Complaint
86(1)
Polyphony through the Thirteenth Century
87(29)
Early Organum
88(4)
Aquitanian Polyphony
92(2)
Notre Dame Polyphony
94(4)
Timeline
98(5)
Polyphonic Conductus
103(1)
Motet
104(7)
English Polyphony
111(3)
A Polyphonic Tradition
114(2)
French and Italian Music in the Fourteenth Century
116(31)
European Society in the Fourteenth Century
116(1)
Timeline
117(3)
The Ars Nova in France
120(2)
Innovations: Writing Rhythm
122(4)
Guillaume de Machaut
126(6)
The Ars Subtilior
132(3)
Italian Trecento Music
135(6)
Fourteenth-Century Music in Performance
141(4)
Echoes of the New Art
145(2)
PART TWO THE RENAISSANCE
147(140)
The Age of the Renaissance
148(19)
The Renaissance in Culture and Art
149(1)
Timeline
150(5)
The Musical Renaissance
155(8)
Music as a Renaissance Art
163(1)
Innovations: Music Printing
164(3)
England and Burgundy in the Fifteenth Century
167(23)
English Music
167(3)
Timeline
170(5)
Music in the Burgundian Lands
175(2)
Music in Context: The Feast of the Oath of the Pheasant
177(3)
Guillaume Du Fay
180(4)
The Polyphonic Mass
184(5)
The Musical Language of the Renaissance
189(1)
Franco-Flemish Composers, 1450--1520
190(20)
Political Change and Consolidation
190(2)
Ockeghem and Busnoys
192(6)
The Next Generation
198(1)
Timeline
199(3)
Josquin des Prez
202(7)
Old and New
209(1)
Sacred Music in the Era of the Reformation
210(30)
The Reformation
210(2)
Music in the Lutheran Church
212(4)
Timeline
216(2)
Music in Calvinist Churches
218(3)
Church Music in England
221(3)
Catholic Church Music
224(3)
Giovanni Pierluigi da Palestrina
227(6)
Spain and the New World
233(2)
Germany and Eastern Europe
235(3)
Jewish Music
238(1)
The Legacy of Sixteenth-Century Sacred Music
238(2)
Madrigal and Secular Song in the Sixteenth Century
240(24)
The First Market for Music
240(2)
Spain
242(1)
Italy
243(1)
Timeline
243(1)
The Italian Madrigal
244(11)
France
255(3)
Germany
258(1)
England
258(4)
The Madrigal and Its Impact
262(2)
The Rise of Instrumental Music
264(23)
Instruments
265(4)
Timeline
269(1)
Types of Instrumental Music
270(1)
Music in Context: Social Dance
271(10)
Music in Venice
281(3)
Instrumental Music Gains Independence
284(3)
PART THREE THE SEVENTEENTH CENTURY
287(128)
New Styles in the Seventeenth Century
288(19)
Europe in the Seventeenth Century
289(1)
Timeline
289(3)
From Renaissance to Baroque
292(8)
General Characteristics of Baroque Music
300(6)
Enduring Innovations
306(1)
The Invention of Opera
307(21)
Forerunners of Opera
307(1)
Timeline
308(4)
The First Operas
312(4)
Claudio Monteverdi
316(3)
The Spread of Italian Opera
319(5)
Innovations: Singer-Power and Singer-Worship-The Diva
324(3)
Opera as Drama and as Theater
327(1)
Music for Chamber and Church in the Early Seventeenth Century
328(25)
Italian Vocal Chamber Music
328(4)
Catholic Sacred Music
332(2)
Timeline
334(4)
Lutheran Church Music
338(1)
Heinrich Schutz
338(4)
Jewish Music
342(2)
Instrumental Music
344(7)
Tradition and Innovation
351(2)
France, England, Spain, and the New World in the Seventeenth Century
353(31)
The French Baroque
354(4)
Music in Context: The Music of the Great Stable
358(4)
Timeline
362(10)
The English Baroque
372(7)
Spain and the New World
379(3)
French Style and National Traditions
382(2)
Italy and Germany in the Late Seventeenth Century
384(31)
Italy
384(6)
Timeline
390(2)
Music in Context: The Violin Workshop of Antonio Stradivarius
392(8)
Germany and Austria
400(13)
Seeds for the Future
413(2)
PART FOUR THE EIGHTEENTH CENTURY
415(152)
The Early Eighteenth Century in Italy and France
416(22)
Europe in a Century of Change
416(2)
Music In Italy
418(1)
Timeline
419(1)
Music In Context: The Voice of Farinelli
420(3)
Antonio Vivaldi
423(6)
Music in France
429(3)
Jean-Philippe Rameau
432(5)
A Volatile Public
437(1)
German Composers of the Late Baroque
438(34)
Contexts for Music
438(3)
Johann Sebastian Bach
441(4)
Timeline
445(12)
George Frideric Handel
457(13)
An Enduring Legacy
470(2)
Opera and Vocal Music in the Early Classic Period
472(34)
Europe in the Mid- to Late-Eighteenth Century
472(4)
Innovations: The Public Concert
476(2)
Musical Taste and Style
478(1)
Timeline
479(6)
Italian Comic Opera
485(5)
Opera Seria
490(4)
Opera in Other Languages
494(3)
Opera Reform
497(3)
Song and Church Music
500(5)
Opera and the New Language
505(1)
Instrumental Music: Sonata, Symphony, and Concerto at Midcentury
506(19)
Instruments and Ensembles
506(4)
Genres and Forms
510(2)
Timeline
512(2)
Keyboard Music
514(5)
Orchestral Music
519(5)
The Singing Instrument
524(1)
Classic Music in the Late Eighteenth Century
525(42)
Joseph Haydn
526(4)
Timeline
530(16)
Wolfgang Amadeus Mozart
546(18)
Classic Music
564(3)
PART FIVE THE NINETEENTH CENTURY
567(190)
Revolution and Change
568(27)
Revolution, War, and Music, 1789--1815
568(2)
Timeline
570(1)
Ludwig van Beethoven
571(22)
Beethoven's Centrality
593(2)
The Romantic Generation: Song and Piano Music
595(36)
The New Order, 1815--1848
595(5)
Innovations: Musical Instruments in the Industrial Revolution
600(2)
Romanticism
602(2)
Timeline
604(1)
Song
605(10)
Music for Piano
615(14)
The Romantic Legacy
629(2)
Romanticism in Classic Forms: Orchestral, Chamber, and Choral Music
631(28)
Orchestral Music
632(2)
Timeline
634(11)
Chamber Music
645(5)
Choral Music
650(7)
Romanticism and the Classical Tradition
657(2)
Romantic Opera and Musical Theater to Midcentury
659(20)
The Roles of Opera
659(1)
Italy
660(8)
France
668(5)
Germany
673(2)
The United States
675(1)
Timeline
675(3)
Opera as High Culture
678(1)
Opera and Musical Theater in the Later Nineteenth Century
679(35)
Technology, Politics, and Nationalism
679(3)
Music in Context: Nationalism and Exoticism
682(1)
Opera
683(1)
Giuseppe Verdi
683(5)
Later Italian Composers
688(2)
Richard Wagner
690(8)
France
698(3)
Russia
701(8)
Other Nations
709(1)
Timeline
710(3)
Music for the Stage and Its Audiences
713(1)
Late Romanticism in Germany and Austria
714(23)
Dichotomies and Disputes
714(1)
Timeline
715(3)
Johannes Brahms
718(8)
The Wagnerians
726(9)
Reaching the Audience
735(2)
Diverging Traditions in the Later Nineteenth Century
737(20)
France
737(4)
Eastern and Northern Europe
741(5)
Timeline
746(1)
The United States
747(8)
Reception and Recognition
755(2)
PART SIX THE TWENTIETH CENTURY AND AFTER
757
The Early Twentieth Century
758(43)
Modern Times, 1898--1918
758(2)
Innovations: Recorded Sound and Its Impact
760(5)
Vernacular Musical Traditions
765(1)
Timeline
766(4)
Modern Music in the Classical Tradition
770(1)
Germany and Austria
771(9)
Claude Debussy
780(5)
The First Modern Generation
785(10)
The Avant-Garde
795(4)
Late Romantic or Modern?
799(2)
Modernism and the Classical Tradition
801(43)
Arnold Schoenberg
802(3)
Timeline
805(3)
Music in Context: Expressionism
808(6)
Alban Berg
814(2)
Anton Webern
816(3)
Igor Stravinsky
819(10)
Bela Bartok
829(8)
Charles Ives
837(6)
Composer and Audience
843(1)
Between the World Wars: Jazz and Popular Music
844(21)
Between the Wars
844(2)
Timeline
846(2)
American Musical Theater and Popular Song
848(3)
The Jazz Age
851(8)
Duke Ellington
859(3)
Film Music
862(2)
Mass Media and Popular Music
864(1)
Between the World Wars: The Classical Tradition
865(28)
Music, Politics, and the People
865(1)
Timeline
866(1)
France
867(3)
Germany
870(6)
The Soviet Union
876(4)
The Americas
880(3)
The United States
883(8)
What Politics?
891(2)
Postwar Crosscurrents
893(48)
The Cold War and the Splintering Tradition
893(3)
Popular Music
896(6)
Broadway and Film Music
902(2)
Timeline
904(1)
From Bebop to Free Jazz
905(3)
Heirs to the Classical Tradition
908(1)
Traditional Media
909(8)
Serialism
917(3)
Nonserial Complexity and Virtuosity
920(2)
New Sounds and Textures
922(9)
The Avant-Garde
931(5)
Quotation and Collage
936(2)
Band and Wind Ensemble Music
938(2)
Roll Over, Beethoven
940(1)
The End of the Millennium
941
A Global Culture
942(1)
Timeline
942(2)
The Changing World of Music
944(3)
Music in Context: Digital Technologies
947(3)
Niches in Popular Music
950(2)
Minimalism and Postminimalism
952(4)
The New Accessibility
956(8)
Interactions with Non-Western Music Technologies
964(1)
The New Millennium
965
Glossary1(21)
For Further Reading22(62)
Credits84(3)
Index87

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