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| Introductory Assumptions | |
| For Further Viewing | |
| Birth | |
| Frames per second | |
| Pictures on Film | |
| Speed | |
| Flicker and the Continuous Signal | |
| Persistence of Vision and Other Phenomena | |
| Seeing with the Brain | |
| Visual Masking and Retinal Retention | |
| Scientific Toys | |
| Emile ... MORE | |
| Photography | |
| Muybridge and Marey | |
| Early Cameras and Films | |
| The Kinetoscope | |
| A Sound Film and Studio | |
| Projection | |
| The Magic Lantern | |
| The Loop and Other Solutions | |
| The Lumiegrave;re Brothers | |
| The Vitascope | |
| The First Films | |
| For Further Viewing | |
| Film Narrative, Commercial Expansion | |
| Early Companies | |
| Narrative | |
| Cohl and Others | |
| From Brighton to Biograph | |
| Business Wars | |
| The Film drsquo;Art | |
| For Further Viewing | |
| Griffith | |
| Apprenticeship | |
| Biograph: The One-Reelers | |
| Two Reels and Up | |
| The Birth of a Nation | |
| Intolerance. 1917-31 | |
| Broken BlossomsandWay Down East | |
| The Struggle | |
| For Further Viewing | |
| Mack Sennett and the Chaplin Shorts | |
| Krazy Keystones | |
| Charlie | |
| For Further Viewing | |
| Movie Czars and Movie Stars | |
| Stars over Hollywood | |
| The First Stars | |
| California, Here We Come | |
| Table of Contents provided by Publisher. All Rights Reserved. |