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Play Directing : Analysis, Communication, and Style

ISBN: 9780205419234 | 0205419232
Edition: 6th
Format: Hardcover
Publisher: Allyn & Bacon
Pub. Date: 1/1/2005

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SummaryTable of Contents
Play Directing, Sixth Edition describes the various roles a director plays, from selection and analysis of the play to working with actors and designers to bring it to life. The authors emphasize that the role of the director is not as a dictator, but as a leader of artists working in collaboration who look to the director for ideas that will give impetus to their fullest, most creative expressions. The text emphasizes that directing is not a finite and specific ";system"; of production, but rather is a means for providing an intensive look at ... MORE
Dedication and Credits for Photographsix
Prefacexv
Why the Director?
1(5)
What Is a Play? Analysis and Improvisation
... MORE6(9)
PART I Taking a Play Apart
15(1)
PLAY-ANALYSIS: THE DIRECTOR'S PRIMARY STUDY
15(42)
The Foundation and Facade of the Playscript: Given Circumstances and Dialogue
17(11)
The Core of the Playscript: Dramatic Action and Characters
28(14)
Idea and Rhythmic Beats
42(11)
The Director's Preparation
53(4)
PART II Communication
57(2)
THE DIRECTOR-ACTOR RELATIONSHIP AND STAGE BLOCKING
59(126)
Directing Is Working with Actors---1
59(8)
Learning to See: The Games of Visual Perception
67(2)
Helping Actors Communicate through Groundplans
69(12)
Composition: Helping Actors Discover and Project Basic Relationships
81(28)
Helping Each Actor Intensify: Gesture and Improvisation with Properties
109(8)
Picturization: Helping a Group Intensify
117(11)
The Dynamic Tool of Movement
128(8)
Coordinating the Blocking Tools in Director-Actor Communication
136(6)
Helping Actors ``Speak'' a Play
142(12)
Directing Is Working with Actors---2
154(31)
Scene Practice
165(16)
Diagnostic Criticism
181(4)
THE DIRECTOR'S DESIGN FUNCTION AND COMMUNICATING THROUGH STAGING
185(72)
Directing Is Designing
185(6)
The Director and the Stage Machine: Symbolization and Synthesis
191(8)
Director's Options: Choice of the Stage
199(19)
Director's Options: Scenery, Properties, and Lighting
218(21)
Director's Options: Costume, Makeup, and Sound
239(18)
HELPING AUDIENCES RECEIVE A PLAY
257(8)
Responsibility to Audiences
257(8)
Designing and Directing Your Own Production
262(3)
PART III Interpretation
265(1)
A MATTER OF STYLE
265(96)
Style Is Individual Expression
267(10)
Style in Playwriting and Playwrights
277(15)
The Director's Analysis of Style in a Playscript
292(14)
Style in Production: Making Decisions
306(13)
Style in Production: Modern Plays
319(14)
Style in Production: New Plays
333(5)
Style in Production: Plays of Past Ages
338(23)
Directing with Designers
355(6)
Appendix 1: Musical Theatre and Opera361(8)
Appendix 2: The Director and the Dramaturg369(4)
Appendix 3: Your Future as a Director373(10)
Bibliography383(8)
Index391

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