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| List of Illustrations | p. xi |
| Acknowledgments | p. xiii |
| A Note on Transliteration | p. xvii |
| Introduction | p. 1 |
| Does a Checkpoint Have Two Sides? | p. 29 |
| Balanced Objectivity and Accumulated Authorship | p. 34 |
| Words That Fly in the Air | p. 68 |
| Arming State Speech, Constraining Journalists' Work | p. 73 |
| An Innocent Evening Out? Representing Cultural ... MORE | p. 102 |
| Working from Home: Disinterest and the Scope of the Political | p. 106 |
| A Reliable Source? Prison Bars as Sound Barrier | p. 131 |
| The Embodied and Up-Close Work of Journalism | p. 136 |
| Locating the Foreign Correspondent at a Demonstration | p. 162 |
| The Separation Wall as Stage for Refugee Identities | p. 167 |
| Parsing "Chaos" | p. 197 |
| Watching U.S. Television from the Palestinian Street | p. 202 |
| A Discerning Representation of More Than "Two Sides" | p. 229 |
| Conclusion. Framing Graffiti: Voice, Materiality, and Violence | p. 233 |
| Notes | p. 259 |
| Works Cited | p. 291 |
| Index | p. 315 |
| Table of Contents provided by Ingram. All Rights Reserved. |