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| Notes on Contributors | p. vii |
| Foreword | p. xi |
| Historical Foundations | p. 1 |
| Is Ethical Criticism a Problem? A Historical Perspective | p. 3 |
| Conceptions of Ethical Content | p. 33 |
| Narrative and the Ethical Life | p. 35 |
| A Nation of Madame Bovarys: On the Possibility and Desirability of Moral Improvement through Fiction | p. 63 |
| Empathy, Expression, and What Artworks Have t... MORE | p. 95 |
| Literature and Moral Responsibility | p. 123 |
| "Solid Objects," Solid Objections: On Virginia Woolf and Philosophy | p. 125 |
| Disgrace: Bernard Williams and J. M. Coetzee | p. 144 |
| Facing Death Together: Camus's The Plague | p. 163 |
| Visual Art, Artifacts, and the Ethical Response | p. 185 |
| Staying in Touch | p. 187 |
| Susan Sontag, Diane Arbus, and the Ethical Dimensions of Photography | p. 211 |
| Ethical Judgments in Museums | p. 229 |
| Music and Moral Relations | p. 243 |
| Cosė's Canon Quartet | p. 245 |
| Jazz Improvisation and Ethical Interaction: A Sketch of the Connections | p. 259 |
| Index | p. 286 |
| Table of Contents provided by Ingram. All Rights Reserved. |